The first act begins in medieval Japan. A married woman and her lover, both in kimonos... Read more →

A scribe with severe writer’s block posts a sign in the window of his basement... Read more →

“The Wake” is a play with a lot of p’s in it: politics, philosophy,... Read more →

Alan Rosenberg is too charming to play a world-class villain. And so he makes neo-con... Read more →

In person, Cris D’Annunzio is a gentle, soft-spoken man. Sweet, even. So you might... Read more →

After you’ve watched the subtle, nuanced performance of Dane Zinter as Fredrick, a... Read more →

It’s hard to believe that Peter Gallagher’s performance was never rehearsed,... Read more →

Ever since the government permitted Native Americans to establish — and keep the... Read more →

A musical based on Dr. Seuss’ “How the Grinch Stole Christmas” seems... Read more →

I‘m having a hard time coalescing my thoughts about Bill Cain’s new play,... Read more →

To be an artist is to be an outsider. A loner. A person overwhelmed by his passions. And... Read more →

What if bygones are never bygones? What happens to a man, betrayed by a friend, who... Read more →

What are friends for? “To blow the whistle on you when you’re insane,”... Read more →

So, color me old-fashioned. I like a well-written play that engages me, that gets me to... Read more →

A seedy-looking, longhaired Matthew Modine stumbles into his agent’s office looking... Read more →